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The Castle (Miramax
in association with Village Roadshow Pictures and Working Dog) has
been billed as "this year's Full Monty". The main
similarities would be that they are both comic, and that they feature
characters who are struggling (triumphantly) against all odds; and
that the productions themselves triumphed against bigger Hollywood
guns at the boxoffice.
The dissimilarities are more striking. While The Full Monty
involves an aggregation of buddies, brought together by industrial
plant closures and job loss, The Castle
reveals the infrastructure of a family already tightly united, spearheaded
by the dad, Darryl Kerrigan. Even non-members seem to be integral
to the Kerrigan family.

From left to right, Anthony Simcoe (Steve), Anne Tenney (Sal), Michael
Caton (Darryl), Sophie Lee (Tracey), Eric Bana,(Con Petropoulous),
Wayne Hope (Wayne), and Stephen Curry(Dale).
The Castle is a sort
of fairy tale from Australia about sticking to one's principles
and about how a home is one's castle. The Kerrigan's of Cooloroo
are ready to do battle to keep their castle, despite leaky roof,
despite being built on a toxic landfill, despite adjacent humming
high-power lines and being situated in the landing path of the nearby
airport. They must battle against a multi-national company, powerfully
connected politically as well as financially, which is bent on acquiring
several properties in the area. But these properties are the castles
of Kerrigan and friends.
The Rob Sitch interview indicates why the familial infra-structure
in The Castle rings accurately.
The Castle is the brainchild of Sitch, along with
Santo Cilauro, Tom Gleisner, and Jane Kennedy, a foursome who prevail
on Australian television. For 3 years they did The Late Show,
which Sitch describes as a sort of Saturday Night Live.
At the height of its popularity, the team decided to try something
different. They now have a popular ensemble show of simple conversation,
called The Panel. Sitch explains that there are no
special effects, no glamorous studio set. It is the simple art of
conversation which people find fascinating.
Rob Sitch relates that growing up in Australia, the attitude was
that a lawyer was a 'big hitter'. In The
Castle, a very smalltime, local lawyer begins the
Darryl Kerrigan (Michael Caton plays papa Kerrigan) fight against
"the whole of Australia for a 'fair go'."

Darryl
The Castle was written
in two weeks, filmed in 11 days, shot in Super 16mm, and cost between
three and four hundred thousand dollars U.S. It took Australia by
storm, setting box office records, gathering multiple Australian
Film Institute nominations. The fact that The
Castle does not have a low-budget look would be partly
due to Cilauro's camerawork. Cilauro, one of the team of four who
wrote The Castle, holds
to a theory regarding framing for comedy. The idea promotes relatively
stationary shots which encompass a substantial scene, allowing the
dialogue-narrative to proceed, and without fancy effects.
A particularly amusing element emerges through the character of
the older son Steve (Anthony Simcoe), who is compulsively seeking
the ultimate deal in the local Trading Post. Sitch comments about
the familiar obsession to find bargains.
He says Steve's bargain-hunting was based on his own love of trading
post papers. Sitch continues, "you go to Macy's . . . and you
say 'wow! a cashmere camel hair wool pullover . . . for only a third
of the price . . . it doesn't suit you . . . but it's only a third
of the price'."

Steve
The members of the Kerrigan family seem to be perfectly cast: Anne
Tenney (veteran Australian television actor) as Sal
Kerrigan, the
absolutely sweet, trusting wife/mother; Sophie Lee (Australian super
model) as daughter Tracy Kerrigan who has "graduated from college",
i.e., become a hairdresser; Stephen Curry as Dale Kerrigan, the
younger brother who narrates the tale. There is also Tiriel Mora
as Dennis Denuto, local lawyer who initiates, rather unsuccessfully,
representation of Darryl Kerrigan's case on grounds of "the vibe"
of the constitution; and Charles (Bud) Tingwell (one of Australia's
most prolific actors and directors) as constitutional specialist
Lawrence Hammill who does succeed ultimately on behalf of Darryl
Kerrigan at the lofty level of the Supreme Court.
Sitch appreciates narration as a technique which can efficiently
further a story. Says Sitch, despite the view that narration is
somehow a cop-out, he enjoys it, and its efficiency works for him
as he has a short attention span. In the young Dale Kerrigan's narration,
the line between fantastical idealisation and heartwarming innocence
is blurred as Dale tells of the really warm and conversational visits
he has with his brother Wayne (played by Wayne Hope) who is in prison.
Dale described their voluble conversations, remarking that they
could talk all day. What the viewer sees on screen is a set of more
or less monosyllabic exchanges, interspersed with lengthy pauses.
In general, the disparity between Dale's narration and what the
viewer sees on screen is an occasion for amusing irony. But, as
Sitch states about one's relation to circumstances, it's all to
do with one's attitude.
Dale
Copyright 1998
Cinternational
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