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JUNK
MAIL by Pal Sletaune is a black comedy about love, money
that no one wants, cold canned spaghetti, karaoke, involuntary good
deeds, rutting and the joy of being comatose.
Roy (ROBERT
SKJAERSTAD) is not your typical mailman. Ruled by curiosity, he
has an uncanny ability to find himself in the wrong place at the
wrong time. Neither rain, nor sleet, nor gloom of night would prevent
Roy from indulging his unprofessional ethics. He has no respect
for property or privacy, insults his colleagues, and habitually
breaks the ultimate postal taboo…stealing mail. Life goes in small
circles for Roy, and all news is old news.
One day, something
happens on his appointed round. A young woman, Line (ANDRINE SAETHER)
forgets her keys in the mailbox. Unable to resist the opportunity,
Roy goes up to the apartment and unlocks the door. As soon as he
steps over the threshold, his life takes a different turn. And the
more he discovers, the more he involves himself in something far
more dangerous than opening other people's mail.
In
interview, director Pal Sletaune says that the ending was right
there in the first draft of the screenplay. Without giving it away,
one could say that murder, robbery, attempted suicide and passion
are NOT more than a mailman can handle, after all.
Sletaune admits
that he has for a very long time wanted to make a film about a character
like mailman -Roy, a "cockroach", a low-level existence. As for
Georg, the seemingly psychotic, drug-crazed, homicidal ex-boyfriend
of Line, Sletaune insists that he is not a monster, that he is really
afraid.
Sletaune's
enchanting descriptions and depictions of these would-be losers
provides insight into why JUNK MAIL is such a compelling
production.
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